Wednesday, June 29, 2011

transposition / petar cigic




Shade comes from Reading. Reading came first. Reading is the real art form of insult.
(...)
Then Reading became a developed form where it became Shade. Shade is, „I don*t tell you you*re ugly, but I don*t have to tell you because you know you*re ugly“. And that*s Shade.
(...)
Voguing came from Shade because it was a dance that two people did because they didn*t like each other. Instead of fighting, you would dance it out on the dance floor, and whoever did the better moves was throwing the best shade, basically.
(...)
„You can take the pantomime form of the Vogue. What generally sometimes I do, as I make my hand into a form, like a compact or a makeup kit, and I*m, like, beating my face with blush, shadows or whatever, to the music. Then usually, I*ll turn the compact around to face that person, meaning, like, almost, like, my hand is a mirror for them to get a look. Then I*ll start doing their face, because what they have on their face right now needs a dramatic makeup job“.
(...)
So Voguing is like a safe form of throwing Shade.
(iz filma „Paris is Burning", 1990.)

fugacious / zita kis






transient, transitory, passing, fleeting, evanescent, fugitive, momentary, ephemeral


phantasmagory of identity / svetlana kamenica



“Shadow is produced by two elements: a material and a spiritual one. Material is the shaded body. Spiritual is the light. Light and body create shadow”
Leonardo da Vinci. “Light and shade”. Trattato della pittura







dance / sofija djukic



rhythm
movement
sun
passion



judgement / nina janjanin




age 4- it was funny
age 14- it was scary
age 18- i've not even noticed it
age 20- it suddenly became SO important




reallyrealreality / marina ilic




really
real
reality.
hide in it.
this is not a word
this is shape.
this is projection.
actually,
this is
s _ _ _ _ w fo the c _ _ _
but
you must not pronounce it.
if you do
s _ _ _ _ w
disappears.



a stroll / sanja milanov

Tendency is to create a space that is not legible,

space that would be mental extension of what we

see.






imagination / marija trifunovic



By Jungs psychology, the term "shadow" present identity which part of a conscious "I" does not accept and which is ashamed. Mental qualities that man's "I" do not recognize are repressed in the unconscious. This is formed like inferior "dark" part of us which is named like “the shadow”. Creator of acts (artistic, architectural, social,...) is a man with his "I". Architectural work is a product and the image of his personality. As our "I" is always incomplete than ,we, like creators make the same architecture. This architectural models should have some vague, mystical moment that gives each of us right to project our thoughts and our sensibilitie in this project and make our own picture of it. The work has to be unfinished, the work is free, the work is consistent ...

blow up / irena sokic





00:42:36,893 --> 00:42:39,805
What's so important
about my bloody pictures?


00:42:40,973 --> 00:42:43,043
That's my business.


00:42:54,733 --> 00:42:57,611
The light was very beautiful
in the park this morning.


00:42:57,773 --> 00:43:00,003
Those shots should be very good.


00:43:00,813 --> 00:43:02,485
Anyway, I need them.


00:43:06,933 --> 00:43:11,211
My private life's already in a mess.
It would be a disaster if...

00:43:12,813 --> 00:43:14,724
What?

00:43:16,453 --> 00:43:19,763
These shadows here...





aesthetic correction / mirjana antonijevic






A facade or façade is generally one side of the exterior of a building, especially the front, but also sometimes the sides and rear. The word comes from the French language, literally meaning "frontage" or "face". Aesthetic correction is performed to correct functional impairments. It involves techniques intended for the "enhancement" of appearance and is specifically concerned with maintaining normal appearance, restoring it, or enhancing it beyond the average level toward some aesthetic ideal.

What we perceive as "real" is sometimes distorted by our expectations. The hardest thing is to surround the space, to fix its limit where it fades along its edge. To choose it from among the others, to separate it from the light that all shadows secretly, dangerously, breathe.

transition / milena radovic



We are a part of a circle.


It's like a mobius strip, and it goes round and round until it loses a link.
It appeals to the intellect as the idea of storytelling conjures up the phenomenal world, the realm of the senses.
Souls are hidden within the shadows of night, seeking the ligh they’ve become revealed.

A need for ambiguity, ambivalence, hesitancy, and the inexplicable …


nebula / iva bekic



fraction / bojana gocanin






disappearing / jelena petkovic




On Earth, act as forces of darkness and the forces of light. This already self-evident
claim still hides deep consequences, which are not completely comprehend.
In areas of the light there is only light, and in shadows only shadow. If light enters the
shadow, there is no shadow anymore. Only in a completely particular border area is
Light and darkness meet, namely, that of "coast line", which separates the light from the shadows.
The same principle - the world picture - also applies to multi-dimensional cosmos
regarding the world of light and shadow. They are separate (parallel), but they meet in
one area, where the light is separated from the shadows. This area is crucial dimension in
which is Earth. According to many esoteric and religious resources that is the reason,
why in our world of light and shadow effects work side by side and why the most diverse
beings have such a great interest in people planet Earth is a crossing place, where the
the soul will decide in which direction to go.

“A work of art is realized when form and content are indistinguishable. When they are in synthesis. In other words, when they fuse. When form predominates, meaning is blunted… When content predominates, interest lags.” – Paul Rand